The persona implies to the reader that the woman is not decent. She was beautiful, but scared because she had gotten 'roughed up' a little by the crowd.
The world is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed.
Why do men then now not reck his rod? And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah!
The shoes people wear sever the physical connection between our feet and the earth they walk on, symbolizing an ever-increasing spiritual alienation from nature.
This power of renewal is seen in the way morning always waits on the other side of dark night. This final image is one of God guarding the potential of the world and containing within Himself the power and promise of rebirth. Form This poem is an Italian sonnet—it contains fourteen lines divided into an octave and a sestet, which are separated by a shift in the argumentative direction of the poem.
For example, Hopkins follows stressed syllable with stressed syllable in the fourth line of the poem, bolstering the urgency of his question: The figure suggests an undercurrent that is not always seen, but which builds up a tension or pressure that occasionally flashes out in ways that can be both brilliant and dangerous.
The image of the oil being pressed out of an olive represents another kind of richness, where saturation and built-up pressure eventually culminate in a salubrious overflow.
The olive oil, on the other hand, is an ancient sacramental substance, used for centuries for food, medicine, lamplight, and religious purposes. This oil thus traditionally appears in all aspects of life, much as God suffuses all branches of the created universe.
Moreover, the slowness of its oozing contrasts with the quick electric flash; the method of its extraction implies such spiritual qualities as patience and faith. By including this description Hopkins may have been implicitly criticizing the violence and rapaciousness with which his contemporaries drilled petroleum oil to fuel industry.
Thus both the images of the foil and the olive oil bespeak an all-permeating divine presence that reveals itself in intermittent flashes or droplets of brilliance. Yet the sestet affirms that, in spite of the interdependent deterioration of human beings and the earth, God has not withdrawn from either.
He possesses an infinite power of renewal, to which the regenerative natural cycles testify.Gods Grandeur or Pied Beauty or Spring by Gerard Manley Hopkins Ode on a from ENGL at Liberty University. A summary of “God’s Grandeur” () in Gerard Manley Hopkins's Hopkins’s Poetry. Learn exactly what happened in this chapter, scene, or section of Hopkins’s Poetry and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Apr 10, · Gods Grandeur praises Gods importance and amazement. Hopkins begins the poem saying, the world is charged with the grandeur of God. Being charged with grandeur is an extremely strong point in which Hopkins describes gods amazing ways to be stimulating and thrilling.
For courses in Literature for Composition, Writing About Literature, and Introduction to Literature. Reading and Writing about Essays Reading and Writing about Stories Reading and Writing about Graphic Fiction Reading and Writing about Plays GERARD MANLEY HOPKINS • God’s Grandeur.
Imagery and symbolism in God's Grandeur.
There is some interesting and tightly packed imagery in the poem.. Foil.
From Hopkins' own writing, the image of ‘shook foil' seems to have been the one that fascinated him most. Societies Neglect For God's Grandeur In Gerard Manley Hopkins' sonnet "God's Grandeur," the speaker is an omniscient observer of mankind -- probably Hopkins himself.
He is speaking to man in an effort to help society realize the beauty in life.