In fact, you probably want to do more than just nudge the world. You want to tantalize.
Relational Personal Objects When visitors see an object in a case that they have a personal connection to, they have an immediate story to tell. The same is true for objects that people own, produce, or contribute themselves.
Staff and volunteers who care for, study, or maintain objects often have very personal connections with them. Active Objects Objects that directly and physically insert themselves into the spaces between strangers can serve as shared reference points for discussion.
If an ambulance passes by or a fountain splashes you in the breeze, your attention is drawn to it, and you feel complicit with the other people who are similarly imposed upon by the object. Similarly, in bars, darts or ping pong balls that leave their playing fields often generate new social connections between the person looking for the flying object and the people whose space was interrupted by it.
In cultural institutions, active objects often pop into motion intermittently. Other times, the action is more spontaneous. For example, living objects, like animals in zoos, frequently motivate conversation when they move or make surprising sounds.
Inanimate objects can also exhibit active behavior—think of the discussions among visitors that naturally arise as model trains chug along their tracks or automata perform their dances.
Provocative Objects An object need not physically insert itself into a social environment to become a topic of discussion if it is a spectacle in its own right. When the Science Museum of Minnesota opened the exhibition Race: Are We So Different?
‘The transaction process is a dynamic system that is composed of the interplay of the three information flows.’ ‘Emotional structures are not simply on or off: they are dynamic, and hence prone to myriad fluctuations in relation to thought and perception.’. Why make writing fun? Research consistently shows that children learn more when they are actively engaged in the learning process and having fun. This Pin was discovered by Angela Watson's Teaching Ideas. Discover (and save) your own Pins on Pinterest.
One of the most discussed exhibits was a vitrine featuring stacks of money representing the average earnings of Americans of different races. Money is somewhat exciting on its own, but the real power in the exhibit was in the shocking disparity among the piles. People were compelled to point out of surprise.
The powerful physical metaphor of the stacks made the information presented feel more spectacular without dumbing it down or over-dressing it. Photo by Terry Gydesen.
Provocation is tricky to predict. If visitors expect to be shocked or provoked by content on display—as in some contemporary art institutions—they may choose to internalize provocation instead of discussing it. To work well, a provocative object must be genuinely surprising to visitors who encounter it.
Relational Objects Relational objects explicitly invite interpersonal use. They require several people to use them to work, and their design often implies an invitation for strangers to get involved. Pool tables, seesaws, and game boards fall into this category, as do many interactive museum exhibits and participatory sculptures that invite people to work together to solve a problem or generate an effect.
These objects are reliably social because they demand interpersonal engagement to function. Making Objects More Social Most social object experiences are fleeting and inconsistent.
For social object experiences to work repeatedly for a wide diversity of users or visitors, day after day, design tweaks can make an object more personal, active, provocative, or relational.
For example, the Museum of Transport and Technology in Auckland has an old traffic light mounted outside one of many small buildings full of artifacts.Thomas Carlyle once observed: Music is well said to be the speech of angels.
You can make your speechwriting sing by learning lessons from songwriters. Combine resume action verbs with other specifics to show that you’ve accomplished noteworthy things that delivered significant benefit to your employers.
Writing for Top Resume, M.A. Smith, writer and media professional, gives an excellent example. Verbs are massively important in business writing; a product would be nothing without its ability to 'zoom,' 'shine,' 'enhance' or 'satisfy.' But one of the most commonly used verbs in copywriting is also one of the most problematic--one that .
Nov 01, · Verbs are action words.
We all know that, but it’s easy to forget in the midst of a frenetic writing session that verbs do not merely report action, they portray it.
The right verb can depict action, motion, gestures, and other behavior with more precision, nuance, and power than a crate full of fuel-injected adverbs. This Pin was discovered by Tristan Hughes.
Discover (and save!) your own Pins on Pinterest. Search the world's information, including webpages, images, videos and more.
Google has many special features to help you find exactly what you're looking for.